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  • 剧情 惊悚 电影 
  • 马东锡 张英南 黄泰光 Seong-woo Bae 裴成宇 张荣男 
  •   在保险公司上班的女主角与十岁的女儿相依为命。一天,女儿放学晚归,她却迎回了一个满身疮痍的孩子。原来,女儿受到了意外的性侵犯。哽咽的母亲自责不已,并火速报警,寻求警方的支持。谁知,手续上的繁琐却拖延  在保险公司上班的女主角与十岁的女儿相依为命。一天,女儿放学晚归,她却迎回了一个满身疮痍的孩子。原来,女儿受到了意外的性侵犯。哽咽的母亲自责不已,并火速报警,寻求警方的支持。谁知,手续上的繁琐却拖延了寻找凶犯的进程,反而煎熬着着对母女的精神世界。另一方面,正与妻子分居的丈夫,为了保住自己知名牙医的名誉,甚至希望息事宁人……这一系列的冷漠彻底击毁了这个不幸的母亲。她决定
  • 剧情 电影 
  • 张赫 成宥利 车太贤 Ahn Seo Hyeon Baek Hyeon ik Heo Hyeon geun Kang Min ho 车太铉 
  • 影片讲述了一个23年前被人领养的领养儿追寻自己身世的过程。片中张赫扮演了偶遇领养儿May(成宥利 饰演)的出租车司机银雪。银雪是患有稀有心脏病的人物,不知道自己的心脏何时会停止跳动,在他不近人情的外影片讲述了一个23年前被人领养的领养儿追寻自己身世的过程片中张赫扮演了偶遇领养儿May(成宥利饰演)的出租车司机银雪。银雪是患有稀有心脏病的人物,不知道自己的心脏何时会停止跳动,在他不近人情的外表下掩藏着一颗温暖的心,对May无微不至的关怀。
  • 传记 剧情 爱情 电影 
  • 安妮·班克罗夫特 安东尼·霍普金斯 朱迪·丹奇 JeanDeBaer MauriceDenham EleanorDavid 
  • 豆瓣 8.6穷困的女作家海伦受不了纽约昂贵庸俗的古旧书店,便按照《书评周刊》上的地址,给位于伦敦查令十字街84号的马克书店写了一封信,求购一些绝版图书。这一天是1949年10月5日。很快,回信和她要的书就来了,那些书令海伦的书架相形见绌。双方的信任和欣喜很快达成,除了海伦有一点点麻烦,她是个连付帐和找零都搞不清楚的女人,更不用说将英镑换算成美元了。
  • 剧情 
  • Bob Dylan Joan Baez Judy Collins 
  • "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral e"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
  • 伦理 
  • Seol.Hyo-joo Baek.Geon-sik 
  • 时装设计师金素妍 (金泰熙孝柱) 是有吸引力的和才华,以及性感的女人,总是工作和婚姻并不关心。然后有一天她建议她的男朋友,川泰-争风吃醋 (Baek Geon-锡),生活在一起的合同。她写下一份合同,古装设计师金素妍 (金泰熙孝柱) 是有吸引力的和才气,以及性感的女人,总是任务和婚姻并不关心。然后有一天她建议她的男冤家,川泰-争风吃醋 (Baek Geon-锡),生活在一同的合同。她写下一份合同,触及的事实他们睡在一同一周一次的条件。一天,尹敏宇,有钱的富豪曾经是金素妍的男冤家,显示,然后他通知她他想要跟她重新末尾。她隐藏了一个事实,她活在泰争风吃醋,日期民宇。Tae 争风吃醋很快就觉失掉  
  • 电影 
  • 白世莉 Se-ri Baek 조용복 
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  • 男主跟合租伙伴成了男女朋友,但是不管女友每天怎么打扮,都无法勾起男主足够的兴趣,原来男主恋母情结严重,更喜欢成熟丰满的女人,直到女友的姨母来到家里暂住,男主被这个女人迷恋住了,姨母外出醉酒而归,也促成男主跟合租伙伴成了男女朋友,但是不管女友每天怎么打扮,都无法勾起男主足够的兴趣,原来男主恋母情结严重,更喜欢成熟丰满的女人,直到女友的姨母来到家里暂住,男主被这个女人迷恋住了,姨母外出醉酒而归,也促成了跟男主的一段不伦之情,而这本不该发生的一夜,却给两个的生活带来了巨大的变化....