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  • 伦理 电影 
  • Robert Kerman Janet Agren Ivan Rassimov 
  • 谢丽娜为了寻找失踪的姐姐戴安娜,和冒险家马克一起深入新几内亚的恐怖丛林,丛林中有一支古老的部落,他们有着狂热的宗教信仰,并还保留着残忍的活人祭祀,也就是所谓的“净化”。追寻中,他俩被食人族捕获,首领不谢丽娜为了寻觅失踪的姐姐戴安娜,和冒险家马克一同深化新几内亚的恐惧丛林,丛林中有一支新鲜的部落,他们有着狂热的宗教信仰,并还保管着残酷的活人祭奠,也就是所谓的“污染”。跟随中,他俩被食人族捕捉,首领不愿放走戴安娜,又把谢丽娜认作是自己的新妾,肆意奴役...
  • 恐怖 冒险 电影 
  • 乔瓦尼·隆巴多·雷迪斯 
  • 93 分钟
  • 身居纽约的人类学家葛瑞拉(Lorraine De Selle 饰)和兄长鲁迪(Danilo Mattei 饰)、好友派特(Zora Kerova 饰)结伴前往亚马逊丛林考察土著的生活习俗。抵达目的地后身居纽约的人类学家葛瑞拉(Lorraine De Selle 饰)和兄长鲁迪(Danilo Mattei 饰)、好友派特(Zora Kerova 饰)结伴前往亚马逊丛林调查土著的生活习俗。抵达目的地后,他们遇见两个规避外界追杀的毒贩:麦克(Giovanni Lombardo Radice 饰)和乔(Walter Lucchini 饰)。这两个罪恶的家伙运用外地人帮他们从事毒品消费和买卖,稍不顺心便对外地人打骂看待。  正所谓罪不容诛,善恶有报。麦克因严酷杀害包括土著首领女儿在内的外地人,而激起这群严酷人的愤怒。他们拿起武器,对这些入侵的白人展开报复,而葛瑞拉他们也被牵连其中……
  • 伦理 
  • 珍妮特·阿格伦 艾凡·拉斯莫夫 Robert Kerman 
  • 又名: Eaten Alive! / Doomed to Die / Eaten Alive by the Cannibals! / Mangiati vivi dai cannibali / The又名: Eaten Alive! / Doomed to Die / Eaten Alive by the Cannibals! / Mangiati vivi dai cannibali / The Emerald Jungle 谢丽娜为了寻觅失踪的姐姐戴安娜,和冒险家马克一同深化新几内亚的恐惧丛林,丛林中有一支新鲜的部落,他们有着狂热的宗教信仰,并还保管着残酷的活人祭奠,也就是所谓的;污染 rdquo;。跟随中,他俩被食人族捕捉,首领不愿放走戴安娜,又把谢丽娜认作是自己的新妾,肆意奴役...            #link-report .report { text-align: right; font-size: 12px; visibility: hidden; }            #link-report .report a { color: #BBB; }            #link-report .report a:hover { color: #FFF; background-color: #BBB; }         nbsp;  
  • 动作 
  • Jack Palance Curd Jürgens 托马斯·亨特 
  • 1944年6月D日前德军占领下的法国诺曼底,盟军一支小分队受命潜进敌占区,炸毁对盟军登岸威胁重大的德军铁道巨炮1944年6月D日前德军占领下的法国诺曼底,盟军一支小分队受命潜进敌占区,炸毁对盟军登岸威胁重大的德军铁道巨炮
  • 惊悚 恐怖片 恐怖 
  • Joe Balogh Josie Bissett Jason Saucier 
  • 95
  • Sickyoungmandrivesaroundinhisdaddy’scamper,lookingforlonestrayfemalestokidnap,torture,rape,andmurderSickyoungmandrivesaroundinhisdaddy’scamper,lookingforlonestrayfemalestokidnap,torture,rape,andmurder
  • 动作 
  • Carroll Baker Alan Scott 
  • Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersoThisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.