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  • 科幻 
  • 耶日·斯图尔 克里斯提娜·杨达 卡里娜·谢鲁斯克 马里乌什·德莫霍夫斯基 马雷克·瓦尔切夫斯基 扬·诺维茨基 亨里克·比斯塔 莱昂·涅姆奇克 克兹佐夫·马扎克 斯坦尼斯瓦夫·伊加尔 
  • Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.ThestoryfolloSetinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit
  • 剧情 电影 
  • 扬·诺维茨基 塔德乌什·孔德拉特 伊雷娜·奥斯卡 
  • 哈斯的彩色影戏 ,《萨拉戈萨手稿》的姊妹篇,小我私家 觉得他的气势派头 更适合彩色,此片要比《萨》更为精彩 。这是一次内心的历险。故事配景 设在二战前期,一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中哈斯的彩色影戏 ,《萨拉戈萨手稿》的姊妹篇,小我私家 觉得他的气势派头 更适合彩色,此片要比《萨》更为精彩 。这是一次内心的历险。故事配景 设在二战前期,一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中弥留 的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵,殖民地的雇佣兵,昔日生活中的女孩,以及他的怙恃 所困绕 ...获奖:波兰影戏 奖最佳产物 设计奖