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- 类型：科幻 电影
- 主演：梅拉布·尼尼泽 丘尔潘·哈马托娃 拉米尔·萨尔霍乌德诺夫 卡里姆·帕卡什科夫 阿纳斯塔西娅·梅利尼科娃 彼得·戈萨沃斯基 路易斯·弗兰克 维克托·博科夫 维多利亚·科罗特科娃
- 时长：
- 详细介绍：雾雪笼罩的怪异河岸。四处散落着钢精和水泥。一栋废弃的摩天大楼。平坦处仍未完工的公路桥。一座宏大的金属制的马的雕像。还有一座列宁的雕塑，他的右手伸展着指向空旷处。这是一个酷寒 、僵化的无人之境，衰落的往雾雪笼罩的怪异河岸。四处散落着钢精和水泥。一栋废弃的摩天大楼。平坦处仍未完工的公路桥。一座宏大的金属制的马的雕像。还有一座列宁的雕塑，他的右手伸展着指向空旷处。这是一个酷寒 、僵化的无人之境，衰落的往昔在这里与想象中的未来接壤。人们漫无目的地穿过这个不真实的世界。原先确定无疑的事情不再令人确信，亲戚朋友都消失了，理想已经随风而散。萨莎从国外返回家乡，她死去的父亲曾经是这片建筑工地的主人，现在她继承了这笔遗产：一位正在寻找工友的吉尔吉斯斯坦工人；一位前额有块反着光的红色皮肤的建筑师；一位曾在莫斯科路障旁与叶利钦比肩站立的导游。他们中的一些人会莫名其妙地流鼻血。一位年轻的学生问道，“我们是谁？我是谁？一切都混乱无章。” 小阿列克谢•日耳曼用七个章节，将他祖国的精神面貌压缩成一部长叙述的象征性影戏 ，一场流畅精心设计的人与摄影机之舞。 详情
- 类型：剧情 电影
- 主演：梅拉布·尼尼泽 安娜·米哈尔科娃 罗扎·哈伊鲁林娜 斯维特兰娜·库德钦科娃 亚历山大·帕里 亚历山德拉·伯蒂奇 阿纳斯塔西娅·梅利尼科娃 Anastasia Talyzina Yuriy Utkin Aleksandr Bolshakov Yuliya Markova Alisa Reyfer Yan Reshetnikov
- 时长：106分钟
- 详细介绍：David, a university professor, takes to social media to criticize his city’s administration. But insDavid, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the c...详情
- 类型：剧情 传记 电影
- 主演：Elena Okopnaya 米兰·马里奇 Artur Beschastny 丹尼拉·科兹洛夫斯基 安东·沙金 海伦娜·苏耶茨卡
- 时长：126分钟
- 详细介绍：豆瓣 7.2《多甫拉托夫》讲述了俄国作家谢尔盖（Dovlatov）在1971年时的四天生活。事先，Dovlatov曾经相当积极地在写小说了,但却没有在任何苏联杂志上出版。在这四天里,主人公最终卷入了各种事情当中,其中每一个都使他得出一个结论,即作为一个作家,要走自己的路,不要遵从任何人的劝说。矛盾的交织循环、与布罗斯基的对话、列宁格勒的世俗生活,、西贡咖啡馆、大剧院的全盛时期、lenfilm任务室……这一切使《多甫拉托夫》不只是一部传记电影,也是一个时代的写照。详情
- 类型：动作
- 主演：奥列格·费奥多罗夫 彼得·梅尔库里耶夫 亚历山大·列宁
- 时长：
- 详细介绍："Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the fi"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues. Gherman’s film is, in a sense, a response to his father’s war film 20 Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.详情