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  • 短片 剧情 电影 
  • Ib Koch-Olsen 
  • The history of Danish country church architecture is told by showing scenes of how the church wasThe history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
  • 伦理 电影 
  • Iride Mockert Ivanna Colona Olsen Mariano Sayavedra 
  • 阿根廷首都近郊的豪宅区,保安森严,与世隔绝,贝莲来打住家工,不懂欣赏中产阶级拘谨的魅力,发现通电铁丝网的另一边,原来别有洞天,天体营地春光乍泄。双面女佣从此活在分裂的世界。穿上衣服,她是表面勤快的阿四阿根廷首都近郊的豪宅区,保安威严,与世隔绝,贝莲来打住家工,不懂欣赏中产阶级拘束的魅力,发现通电铁丝网的另一边,原来别有洞天,天体营地春光乍泄。双面女佣从此活在分裂的世界。穿上衣服,她是外表勤快的阿四,见尽窗明几净、衣冠楚楚下的虚伪。卸下衣裳,参与天体俱乐部,她向往赤条条来去无牵挂的自在,化身野兽在野外交合。卢卡斯连拿把阶级矛盾的寓言推至极端,自创若松孝二把性与革命结合的主题,混合欧陆冷面幽默,向封锁的人心发起突袭。
  • 伦理 电影 
  • Maria Olsen 詹姆斯·布莱克 雷弗·甘特沃特 
  • On a Black Tar Road between nowhere and somewhere, two misunderstood women find love in between theOn a Black Tar Road between nowhere and somewhere, two misunderstood women find love in between the cracks of hardships.
  • 恐怖 电影 
  • 莎拉·约尔特·蒂特莱芙瑟 Signe Egholm Olsen Anders Heinrichsen 莫腾·霍尔斯特 
  • 一位經營保健品公司的無情女老闆,不斷綁架年輕女性,對她們進行可怕的基因改造,以獲得返老還童之術。當米雅前往調查時,落入對方手中,隨後被關在陰暗的地下室,身體被打上烙印,受盡折磨。熟悉的面孔開始出現,米一位經營保健品公司的無情女老闆,不斷綁架年輕女性,對她們進行可骇的基因刷新,以獲得返老還童之術。當米雅前往調查時,落进對方手中,隨後被關在陰暗的地下室,身體被打上烙印,受盡熬煎。熟谙的面孔面目開始出現,米雅發現自己並不孤單。她可否能找回內心的力气,逃離這場噩夢?
  • 惊悚 恐怖 电影 
  • 卡米尔·基顿 JimTavaré JamieBernadette MariaOlsen AndreaNelson 本·瓦伦 MeirZarchi KelciC.Magel HolgieForrester RoyAllenIII JeremyFerdman TerryZarchi AlexandraKenworthy TonySnegoff JonathanPeacy 
  • 豆瓣 6.1在那场强横事件停止之后,事件的女主角JenniferHills写了一本脱销书,内容包罗 施暴者对她的折磨,以及对案件争议性的审讯内容:她被控诉应当用执法解决的问题酿成了自己解决,并且 暴虐 的杀掉了她的施虐者。然而在产生了那场强横和复仇的小镇里,被她杀掉的四个强横者的亲戚非常恼怒 于法庭对她的无罪判决,于是他们决议用自己的要领 伸张“公平 ”。  本片是1978年版《我鄙弃你的宅兆》的续集,角色和内容都是承接1978年的版本。  女主角将连续 由原版演员卡米尔·基顿(CamilleKeaton)出演,导演由原版导演梅尔·扎奇(MeirZarchi)连续 担负,他的儿子泰利·扎奇(TerryZarchi)、以及查德·菲林(ChadFerrin)配合担负出品人。
  • 剧情 电影 
  • 格奥尔格·弗里德里希 特里斯坦·格贝尔 玛丽·洛伊恩贝格尔 汉娜·卡尔伯格 Aggie Peterson Frank Arne Olsen Helle Goldman 
  • 86分钟
  • 建筑工程师迈克尔打算带着十四年都未曾联系的儿子路易斯去挪威参加父亲的葬礼。二人因此有了一段从未有过的独处时光,迈克尔也想借此机会弥补自己作为父亲缺席的十四年。然而,无论迈克尔怎样试图和儿子沟通都无法得  建筑工程师迈克尔打算带着十四年都未曾联系的儿子路易斯去挪威参加父亲的葬礼。二人因此有了一段从未有过的独处时光,迈克尔也想借此机会弥补自己作为父亲缺席的十四年。然而,无论迈克尔怎样试图和儿子沟通都无法得到积极的回应,二人之间仿佛有着一堵无法逾越的心墙。尽管这一路上遇到的种种麻烦让路易斯一直埋怨父亲的粗心大意,迈克尔依然希望能够推翻彼此间的隔阂。